Academic

Conditioning Compositional Choice: Theoretical imperatives and a selection algorithm using converging value sets. Paper presented at the Toronto Electroacoustic International Symposium (TIES) 2016. Published in eContact, 18.4. 

RackFX: A Cloud-Based Solution for Analog Signal Processing. S. Peuquet & D. Jones. Conference Proceedings, International Computer Music Conference (ICMC) 2016, Utrecht, NL.

On the Transvergence of Art and Idea: A call to compose the possibility of no music. Paper presented at the 2016 Society for Electro-Acoustic Music in the U.S. National Conference (SEAMUS) 2016.

Music and Ontological Incompleteness: A Speculative Approach to Composition. Ph.D. Dissertation (November, 2013). A .zip file containing a PDF of the text and supplemental SuperCollider 3 code can be downloaded here.

Between the Two: A Readdress of the Listener in Situated Musical Practice. Paper presented at the 2012 Toronto Electroacoustic Symposium (TES 2012).

The Florida League for Indeterminate Performance: Idealism and Failure in Improvisatory Laptop Ensemble Performance. S.Peuquet, A.S. Neal, B. O'Brien, and T. Garrison (authors). Paper presented at the 2012 Symposium on Laptop Ensembles and Orchestras (SLEO 2012).

Discoverable Composition.  Masters thesis from 2007. "Discoverable Composition", is defined as composing music for audiences that may not be explicitly aware of music happening in their environment. The paper discusses musical issues relevant to situationist thought, sound contextualization, and site-specificty.