RECENT + UPCOMING
July 8, 2022: Performance of Plane of Slight Elevation by the Crash Ensemble at the International Computer Music Conference, University of Limerick, Ireland
September 2021: Meow Wolf Denver, commissioned artist for a large-scale, immersive, permanent exhibition space. Composition + sound design for environmental "alien urban" soudscape on Convergence Street level (level 4).
August 2021: Performance of On the transparency of seeing through at the International Computer Music Conference, Santiago, Chile.
April 2021: Performance of Plane of Slight Elevation at the Society for Electro-Acoustic Music in the U.S. National Conference. Curated as part of the Georgia Southern University "Barely There: A Concert of Quiet Music" program.
February 2021: Composed a generative music system for Jaime Carrejo's Waiting, a solo exhibition at the Museum for Contemporary Art (MCA) Denver. https://mcadenver.org/exhibitions/jaime-carrejo
June 14, 2020: Performance of "On the transparency of seeing through" at the New York Electronic Music Festival (switched to virtual)
March 15, 2020: "Electroacoustic Music, Pluralism, and the Intractability of Epistemological Limitation" paper presentation at the Society for Electro-Acoustic Music in the U.S. National Conference, University of Virginia, Charlottesville, VA.
March 7, 2020: "Design Thinking and Accelerated Mentorship Applied to Music Technology Pedagogy" paper presentation at the Music Technology Pedegogy Summit, Westminster College, Salt Lake City.
June 12, 2019: "Electroacoustic Music, Pluralism, and the Intractability of Epistemological Limitation" paper presentation at the Electroacoustic Music Studies Conference (EMS2019) in Mexico City.
May 2019: Release of "On the transparency of seeing through" on Ablaze Records, Electronic Masters Vol.7.
March 21, 2019: Performance of "On the transparency of seeing through" at SEAMUS National Conference, Berkley College of Music, Boston, MA.
February 28 - March 2, 2019: Performance of "What Rough Beast Slouches?" at the Washing State University Festival of Contemporary Art Music.
August 5, 2018: Performance of "Leave No Trace" at the International Computer Music Conference (ICMC) in Daegu, South Korea at the Daegu Art Factory.
July 6, 2018: Performance of "Windows Left Open" at the Sound and Music Computing Conference (SMC) in Limassol, Cyprus at the Rialto Theater.
March 29-31, 2018: Performance of "Leave No Trace" at the Society for Electro-Acoustic Music in the U.S. National Conference (SEAMUS) in Eugene, OR.
February 19 - March 7, 2018: Residency at the Atlantic Center for the Arts (w/Robert Normandeau) in New Smyrna, FL.